The temporal paradox and the role of tyronny stories in revealing it

Abstract

The Iraqi short story collections for a group of creative writers, after 2003AD, represented a turning point for the short story that our thesis took as models in revealing its narrative structure, especially in the temporal paradox, which was reflected by the artistic dimension as a temporal aesthetic of the text, which affected the textual significance in the composition of the text in another way, and away from the structure of the linear text.  That is, it transcended sequential time, and deviated between several times, so it used the temporal paradox of retrieval and anticipation. To fill in the gaps caused by the distortions of the narrator's movement when he mentions events that have taken place.

The two times mix in a wonderful artistic way. The image of the recipient becomes full of meaning, such as evoking the history of a personality who bears the manifestations of tyranny in its external and internal form or one of them, as its practices of the types of tyranny: political, intellectual, social, or economic..., The second paradox included the forward-looking view, and just as the retrieval had various methods that express returning to the past time, as well as anticipation has its own methods that express the aspiration to the future, and what will happen to it in the next and expected time, by presenting events that are supposed to be the creation of the future, just as the writers of the short story groups chosen by our my searched excelled in choosing the thresholds of their stories, and selecting their vocabulary These thresholds were symbolic and suggestive.