Prose poem and the aesthetics of the modernist horizon - poetry by Abdul Amir Jars as an option

Abstract

This study entitled (Prose poem and the aesthetics of the modernist horizon - poetry by Abdul Amir Jars as an option) aims to reveal the limits of poetic creativity at which the poets of the prose poem in Iraq stopped, relying in its aesthetic and artistic horizon on imaginary dimensions that have the ability to shift the textual content, as the poet seeks to present his vision and intellectual adoption in poetic molds, as a creative means through which he can spread his visions and his presence in the poetic scene. It is natural for the poet to create his imaginary world in which he sheds light on his visions in his creative activity and its content, so the transformation in the poetic content appears from one stage to another, according to the relationship of the creative product and the stage of its production, where the imaginative employment based on framing the prose poem with a textual vitality comes from the depth of interaction with the text aesthetically on the one hand, and interaction with the motives of speech and openness to the modernist trend on the other hand, especially openness to literary genres, and the formation of new poetic presence features, which the creator undertakes in his artistic standards and creative subjectivity and the extents of his pictorial displacements, and this is what appeared with the poet Abdul Amir Jars in his prose text and pictorial displacements, so this research shows a critical reading of the poet's prose poems and the revelation of the dominants of poetic construction and standing at its social and cultural dimensions.