أثر الإنشاد الديني في أداء الحافظ عبد الستار الطيار ، (الفراقيات) مثالًا

Abstract

Readers have been keen throughout the ages to preserve the way the Qur'anic text performs. By restricting its production, monitoring educated or emerging readers and restricting their performance in accordance with those performance rules. It is not permissible to read in the way of the people of singing because it is an innovative update, among the audience of Qur'anic performers. Hence, the Qur'anic text is governed by a stereotypical science based on the existence of codified rules that restrict readers, and it is not permissible in any case to depart from them. The scholars of tajweed have called every departure from their performance standards in controlling the recitation with a melody and are either a hidden melody or a clear melody according to the enority of the error by the reader.

The problem of the study comes to put the laboratory perception of the performance of the reader, Al-Hafiz Abdul Sattar, the special pilot of the relationship of separations, who is one of the traditional and religious performing arts at the same time in the style of his Qur'anic performance, from examining the correspondences of length, unlike the controls of readers and the waveform when performing between audio syllables in the separations and corresponding audio syllables in his Qur'anic performance.