البُعد الفني والجمالي في الصورة الصحفية

محتوى المقالة الرئيسي

عادل هاشم محسن

الملخص

أضحت الصورة الصحفية الفنية والجمالية بفعل حيويتها وجاذبيتها نقطة تحول وتطور في بنية الوعي المعرفي، فهي تنسجم مع التحولات البصرية والفكرية المعاصرة، إذ إنها نتاج التقارب والمزاوجة التقية والأسلوبية ما بين الصورة والتشكيل ، بحيث أضافت رؤية معرفية وجمالية .


    لقد دخلت الصورة الصحفية الفضاء التصويري الذي يعكس وجهة نظر فنية ذات قيمة جمالية عالية، فهي تجمع بين البصر والبصيرة، حيث تحول مفهومها من كونها نسخة عن شيء، إلى التأسيس لآليات معرفية جديدة، تتجاوز فكرة انعكاس الواقع .


   ويرتكز جوهر البحث ومشكلته بالكشف عن بنية الصورة الصحفية ذات البعد الفني والجمالي وآلية اشتغالها بعيدا عن دورها التقليدي الوظيفي.


    وقد توصل الباحث إلى نتائج عدة مفادها، وجود علاقة وثيقة بين التصوير والفن التشكيلي، إذ تعتمد بنية الصورة الصحفية الفنية والجمالية على عناصر وتقنيات الفن التشكيلي، كما تجاوزت عبر أدائها الفني عملية التسطيح ونسخ الواقع عبر ملامسة العمق الفني في عملية التناول للقضايا والموضوعات والأحداث، مع كونها أداة تعبير عن رؤية وموقف، وهذا ما يتجلى بالصور المعبرة عن قضايا الإنسان المعاصر، فضلا عن صور المعارك والحروب.

تفاصيل المقالة

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