Experimentation in Arabic Interactive Narratives: Manifestations and Significance
Main Article Content
Abstract
Digital narration is a new stage of the stages of Arabic narration, as it is considered a fertile field that includes literary genres. In addition, the novelty of the subject has a distinctive excitement in motivating students towards how to employ the means of the era in creative writing and exploring the effects of digital on these means, as well as the interest in the ability of the creator to subjugate The recipient who engages in entering the globalization of the computer and benefiting from development with the desire to interact with his full will and answering modern questions and addressing his crises, from here the digital narration presented proposals and solutions to the recipient as well as hyperlinks, as it included various forms of texts and images of all their forms, on which it is based. The new literature focused on the mediator, the computer as an intermediary and a space for it, including capabilities, software, and signs such as image, sound, and movement. That is why cognitive progress has become rapid in the cultural medium, as its literary signs have appeared for a group of writers, researchers and critics, who have taken an interest in literary genres such as poetry, theatre, novel, essay, story, and narration, and one of these genres. His interactive relationship with the electronic medium, and a number of writers showed interest in this literary genre, including the Jordanian novelist Muhammad Sanajleh, who excelled in this field, and among his digital novels, Shadows of the One, Chat, Fate, while the Moroccan writer Muhammad Shweika, among his novels, stations, and the possibilities of a hypothetical biography of a being from our time The writer mixed between colloquial and eloquent Arabic and Western pronunciation, producing from it a narrative language in digital form. It must be pointed out how to deal with such narrative texts. We can ask a number of questions, namely:
- 1- How to deal with the mechanisms that can be searched for in displaying the digital narrative text?
2- Did the writer deal with the digital text using modern mechanisms?
3- If there are disagreements about the mechanisms of reception, how can the creator of the digital narrative text deal with such cases?
4- Which approach did the digital narrative text follow?
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